Ruben Östlund’s film violently polarizes the French press and seduces foreigners, but without managing to mask a more general rejection of the festival. Those nostalgic for the fiery Cannes controversy will get their money’s worth this year: Triangle of Sadness is the most divisive Palme d’or observed for many editions, perhaps since 2004 and the … Read more
https://awardworld.net/palme-dor/cannes-2022-triangle-of-sadness-how-was-the-palme-dor-received-by-the-international-press-les-inrocks/
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